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For nearly forty years, the Hellinger sisters of Hastings-on-Hudson―namely, Imperia (Perri), Olympia (Pia), and Augusta (Gus)―have played the roles set down by their loving but domineering mother, Carol. Perri, a mother of three, rules her four-bedroom palace in Westchester with a velvet fist, managing to fold even fitted sheets into immaculate rectangles. Pia, a gorgeous and fashionable events coordinator at a museum on the Upper East Side, who became a single mother via sperm donation, still turns heads. And Gus, a fiercely independent lawyer and activist, doesn’t let her breakup with her girlfriend stop her from attending New Year’s Day protests on her way to a family brunch. But the Hellinger women aren’t pulling off their roles the way they once did. Perri, increasingly filled with rage over the lack of appreciation from her recently unemployed husband, Mike, is engaging in a steamy text flirtation with a college fling. Pia, desperate to find someone to share in the pain and joy of raising her three-year-old daughter, Lola, can’t stop fantasizing about Donor #6103. And Gus, heartbroken over the loss of her girlfriend, is magnetically drawn to Jeff, Mike’s frat boy of a little brother. Each woman is unable to believe that anyone, especially her sisters, could understand what it’s like to be her. But when a freak accident lands their mother in the hospital, a chain of events is set in motion that will send each Hellinger sister rocketing out of her comfort zone, leaving her to wonder: was this the role she was truly born to play? With The Pretty One, Lucinda Rosenfeld does for siblings what she did for female friendship in I’m So Happy for You, turning her wickedly funny and sharply observant eye on the lifelong pleasures and punishments of sisterhood.
- Sales Rank: #9928134 in Books
- Published on: 2014-01-28
- Formats: Audiobook, MP3 Audio, Unabridged
- Original language: English
- Number of items: 1
- Dimensions: 6.75" h x .50" w x 5.25" l, .20 pounds
- Running time: 8 Hours
- Binding: MP3 CD
From Booklist
Complicated yet close relationships between sisters are a familiar trope in literature. In Rosenfeld’s contemporary spin, the Hellinger sisters are wildly different in manner but alike in their propensity for meddling in each other’s lives. Oldest sister Perri, a perfectionist working mom with a successful husband and suburban manse, stuns all when she runs away for the weekend with an old college boyfriend. Meanwhile, back home, Perri’s husband, Mike, makes a pass at her beautiful middle sister, Olympia, a single mom whose dating and professional lives are floundering. Youngest sister Gus, a lesbian social-activist lawyer, is going through an identity crisis of her own when a bad breakup has her considering a fling with Mike’s brother Jeff. Although the novel’s twists and turns are entertaining, it’s the sisters’ realistic swings from jealousy to unity that make it compelling. Once again, the author of I’m So Happy for You (2009) portrays women with insight. --Aleksandra Walker
Review
"Rosenfeld does do a stellar job of developing each personality, and the characters remain true to their nature throughout."―Publishers Weekly
"Although the novel's twists and turns are entertaining, it's the sisters' realistic swings from jealousy to unity that make it compelling.Once again, the author of I'm So Happy for You portrays women with insight."―Booklist
"A witty character study of that contentious organism: sisterhood."―Kirkus Reviews
"Lucinda Rosenfeld perfectly captures the intricacies of sisterhood in this hilarious and perceptive tale of one family's quest to 'get along'. . . I absolutely loved this novel!"―Emily Giffin, author of Something Borrowed and Where We Belong
"Although accomplished adults, the Hellinger sisters remain quick to judge each other and sometimes grapple with jealousy and resentment. Their relationships are tested when their mother winds up in the hospital, but Rosenfeld shows, with humor and charm, that these familial bonds are strong enough to withstand even the most trying circumstances."―Samantha Samel, Brooklyn Daily Eagle
"In this impish new novel from the author of I'm So Happy For You, three sisters who have grown up cranky and competitive are itching to shed the stereotypes they've always represented to one another and their parents.... By the time everything's resolved, you'll have come to love them in all their hilarious imperfection." 4-stars, People Pick―Helen Rogan, People
"Appealingly dark...."―Emily Cooke, The New York Times Book Review
"With a light touch, Rosenfeld portrays the 'conspiratorial, even magical' relationship among sisters that makes failure to communicate all the more painful."―The New Yorker
About the Author
Lucinda Rosenfeld is the author of four novels, including What She Saw . . . and I’m So Happy for You. Her writing has appeared in the New York Times, The New Yorker, Slate, and many other publications. She lives in Brooklyn with her husband and two daughters - and is the youngest of three sisters.
Most helpful customer reviews
20 of 22 people found the following review helpful.
Didn't really speak to me
By K. Sowa
There is always plenty of material to be had when you are writing about the complicated relationships that siblings can have. All three of the Hellinger sisters have had achievements in various forms in their lives and while they see each other frequently, they don't seem to really like each other very much. We are introduced to Pia first, whose story seems to be the most prominent for most of the book. Her trip to a New Year's brunch gives the reader a small background into her life and into her relationship with her two other sisters. Although a lot is made of their labels (the pretty one, the political one and the perfect one) and how their mother was guilty of thrusting these roles upon them, I never felt like that idea was fully developed in the writing. Each seems to be trapped in their own hellish existences as they approach middle age and face individual crises while side-eying each other and feeling competitive.
It's not that I don't appreciate the reality of what the sisters faced in their lives. I actually thought that the author did a good job of getting into their respective heads and showing us their inner turmoil. However, it was a barrage of negativity without any way to create empathy. The sisters seemed to have no redeeming qualities and, quite frankly, I found them all to be unpleasant. I didn't care what happened to them because they were so unlikable to me. The structure of the story was a bit choppy and there was a storyline that was introduced and dropped, which seemed really odd to me. It was almost as if it was too much to keep up with all three sisters, so we didn't get a complete picture of any of them. Although I was intrigued by the idea and the synopsis, this ended up being a book that didn't speak to me.
13 of 14 people found the following review helpful.
The Pretty One
By K. Branfield
Lucinda Rosenfeld's The Pretty One is a fascinating novel about the sometimes complicated relationship between adult sisters.
The Pretty One raises some very interesting questions about family relationships and how family expectations and labels come into play throughout adulthood. Perri, Pia and Gus are now in their mid to late thirties and they seem stuck in the roles assigned to them as children. Oldest sister Perri is The Responsible One, middle sister Pia is The Pretty One and youngest sister Gus is The Rebellious One. The sisters' relationship is complicated by their petty jealousies and insecurities that each of the women feels toward their sisters. They are a close knit family, but they continually undermine one another with gossip and their envy of each others' lives.
The Pretty One is a difficult book to review. On the one hand, I found it to be mired in negativity since each of the sisters is going through their own individual crises. They are unhappy with their lives and they are extremely hypercritical of one another. No one was satisfied with what they had in their lives and all they could focus on was the negative.
But the further the novel progressed, the more reflective and self-aware each of the girls becomes. They still place way too much emphasis on their "assigned" childhood labels, but they do begin to realize that perhaps there is more to them than their perceived roles.
What saved The Pretty One for me was the fact that the sisters do finally begin to change and Lucinda Rosenfeld manages to pull off a happily ever after ending. It is an interesting and easy to read novel that is realistic and depicts the good, the bad and the ugly of family relationships.
I received a complimentary copy for review.
9 of 11 people found the following review helpful.
eating soup with a celery stick
By mark jabbour
This novel took me by surprise. I was unprepared for what it was-- an awkwardly comedic, and awkwardly written, story about white, professional, mid-aged, middle class sisters living in suburban New York in the year 2009. If it were in another format there would be a name for it: Romantic Comedy (movie) or Situation Comedy (TV series). In literature there is: Chick Lit and Woman's fiction (two among many categories that inform a reader what they are about to delve into.) Maybe this could be called: Bitch Lit, for middle-aged ____ bitching. The middle sister is "The Pretty One," the older sister the married with children perfectionist one, and the younger the confused, rebel one--a lesbian. It took me a while to realize what it was I was reading, and more to the point--what was the point? Which is part of the author's style--to ask lots of questions without answers (which is the point. I think.) The author does this via the main characters, the three sisters, but their thoughts' and the narrator's are blurred, and I often didn't know who was doing the questioning. In addition, Rosenfeld often uses parenthetical asides, seemingly at random. (Who is talking to whom? To me?) And this: If a distance continues to increase - is it getting farther or further away? (I'm asking you, reader.) Where was the editor? And/or, was this intentional--making the overall point that life is complicated?
A few words about the characters. I didn't like any of them - the sisters, their parents, their significant others, the children. (There were no pets.) Life was complicated, but none of these characters were--they were all pretty stereotypically shallow, in a non-funny, non-attractive way ... which is kind of funny, once I got used to it, but boring. All sexual references were also awkward, and truncated with ellipses, hyphens, dashes, or chapter breaks ... . Again, was this intentional because sex is often like that - a big let down? And/or, because of the author's limitations?
~ ~ ~
Humor is hard to write in, in a story, (not unlike sex) because so much of what is funny about people is the complex interaction of words, facial expressions and body movements. The non-verbal component. Which is a skill not many writers master. ( A soundtrack can help. Emoticons, too.) Humor is better depicted on the screen or stage. In my opinion. In my opinion humor is best, really best, experienced first hand, live, and spontaneously. (Like sex.)
This is Rosenfeld's forth novel and most likely she's peaked. Creatives tend to get less creative as they get older. It's almost a law. Maybe she'll settle down, and into, being a less curious and complicated wife, mother, sister, daughter, friend - now.
This book, for me, was like eating soup with a celery stick. One more thing. I came to this book by way of a writer friend's "liking" it on Facebook. The writer is an essayist whom I hold in high regard. My question is: What are the consequences of this review. Damn. Life is complicated - which is not the same as interesting or impelling just for the living of it.
Finally, I'm not saying you won't like this book, there's likely a market for it. People are different and so are their "Likes." I read and reviewed a novel, The Perfect Elizabeth: a tale of two sisters, four years ago and liked it. It was written before 9/11, before smart phones and the pointer world, so there is that; but it was different - serious. The world has changed a lot since 9/11, and no more so than in the publishing industry. Which means there are millions of more choices when trying to decide what to read. And, in my opinion, what you read matters--because what you read has an influence on what you think, and what you think matters because ... . Anyways, writers, in my opinion, should take what they write very seriously, even when they're trying to be funny. A reader deserves a writer's best effort. Published literature is a permanent record of the time in which it was written, the person who wrote it, the editor, the publisher, and "The Market." It matters.
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